“Titled “Dysfunctional Furniture”—a phrase that could qualify as an irreverent definition of sculpture—Ken Ehrlich’s exhibition at Human Resources welcomed a categorical fuzziness around form and utility, bringing together a series of sculptural furnishings designed with neither the pedestal nor the human user fully in mind. These objects function as furniture, but, as the “dys-” implies, badly. They aren’t very useful, nor are they ergonomic or performance-tested. Some are a bit fragile or liable to give you a sharp jab. They imply a set of enigmatic expectations that disregard casual use.”
Liz Hirsch review in Art in America.